Vintage gay erotica 80s

Absolutely the best collection of Vintage gay sex videos in HD quality at one of the oldest gay tubes XGayTube which was recently updated. We are among the largest sellers of vintage erotica in the United States. We pride ourselves on offering the finest quality erotic magazines and photos available anywhere. "GAY EROTICA FROM THE PAST 1" circa 's. VINTAGE - Collection of rare short films from 's & early 's including 'One To Many', 'Cellmates', 'The Cyclist', 'Day Dreams' & others.

Do you appreciate the real gay classic? Do you love some retro stuff? Well, this magnificent collection of full movies is guaranteed to make you happy. And then there’s Juice, which follows a photographer named Jim (Michael Christopher) who’s on assignment for Juice, “New York’s hottest gay magazine.”. At some point during the quarantine, a well-curated adult entertainment website approached me, offering access to peruse their voluminous catalog.

I dove in. I masked and distanced, marched and protested, hiked through a forest and laid on a beach. The journey down the virtual video aisles of streaming platform PinkLabelTV began with a message from Jenni Olson, filmmaker, film historian, and co-director of the Bressan Project.

For several years, Olson and the Bressan Project have worked to restore the films of pioneering gay filmmaker Arthur J. Bressan, Jr. Bressan himself succumbed to complications related to AIDS in , following a prolific period in which the native New Yorker directed ten films in ten years. Two of them, Passing Strangers and Forbidden Letters , represent the plot-driven gay male erotica Bressan is better known for, and are the latest of his films to be restored by the Bressan Project.

Founded in by queer feminist producer and director Shine Louise Houston, the PinkLabel platform is a treasure trove of indie adult entertainment, with diverse titles grouped into several appealing channels. Practically all genders and tastes are celebrated in a collection spanning decades, up to some brand-new releases.

In brilliant black-and-white, the film follows tousle-haired year old Robert Robert Adams and year old Tom Robert Carnagey around the streets of San Francisco. Stepping slowly out of the proverbial closet, student Robert ducks inside an adult magazine shop outfitted with private, curtained movie booths.

"GAY EROTICA FROM THE

During the current pandemic, the Stud actually closed, possibly for good. When they finally meet face-to-face, the film switches to gorgeously restored color, capturing their romance as it blossoms into outdoor sex on Angel Island overlooking the Bay. Although Adams and Carnagey are enthusiastic performers, Adams tends towards a pained expression when not in the midst of hardcore ecstasy.

Their chemistry is more sweet than scintillating. And the voice actors, including Jerry Johnson as the projectionist Bressan plays onscreen, are at least as expressive as Adams and Carnagey. In the end, love and sex, and pride and celebration go hand in hand. More rawly sexual than Passing Strangers , the film is driven by a more suspenseful and involving premise.

Dancing again between black-and-white and color cinematography, Bresson unfolds the tale of separated lovers Larry Passing Strangers star Robert Adams and Richard Richard Locke , poised to reunite once mustachioed daddy Richard is released from prison. See a o flick, get hot, take a Quaalude, sleaze around. The one major musical diversion from the ersatz-John Denver sound comes with a trip to the crowded disco Cabaret on a glittering Halloween night.

Yet, even with all the partying, lovemaking, hookups, solos, and threesomes, the prevailing atmosphere is purely romantic. Adams and Locke generate heat in fits and starts, but their sex scenes are stiff and awkward. Two prisoners in adjacent cells communicate by knocking on the wall between them.

The barrier trembles at their yearning touch. Through a tiny hole in the wall, they use a straw to pass cigarette smoke from mouth to mouth. The sensuality is nearly palpable, amplified by the lack of sound or dialogue. The guard enjoys a peep show of dancing hard-ons, free in his fantasies to have his way with whomever he chooses, his obsession betraying a singular desire to control.

The visual harmony carries over to the camerawork and editing, abetted by layers of sound design transporting viewers to the hot strip of sand and pines, where everywhere Donovan turns, a different macho stranger is eager to man-handle him. A leading man squarely in the Robert Redford mold, Donovan first materializes out of the bay, a nameless, voiceless hero wearing naught but a stainless steel cock ring. Some people just do, and Donovan brings an ineffable quality to the table that noticeably inspires his partners, and clearly helped inspire Poole to create this genuine milestone of queer cinema.